Guy Borremans has been a photographer for 48 years. As well, he has been a film-maker, cameraman, director of photography and producer for 29 years. At the National Film Board of Canada he has worked with Arthur Lamothe, Gilles Groulx, Clément Perron, Gilles Carle and others. Since the 1960's, in intimate collaboration with the founders of so called Cinema Verite, he has left his mark on cinematographic imagery, using available light and a hand-held camera. In 1956, he was a correspondent with Paris Match. In 1965, during a three-year stay in New York, he worked with the United Nations Film Department, National Educational Television (N.E.T.) Movietone and private producers of commercials.
   
   
Photo John Max Paris 1962, with Hubert Aquin
 
  Upon his return to Quebec in 1968, he worked on such films as Day after day, Le Mépris n'aura qu'un temps and Vingt-quatre heures ou plus. Marilu Mallet's film Le journal inachevé, which he shot, was awarded the Quebec critics' prize. He has also taught at the University of Montreal, at the Moncton University, Concordia University and UQUAM, while pursuing his career as portraitist and director of photography ( Film & video).
 
     
Attentat Instantané Voyou, voyant, voyeur
  Some of his photos where Published by Camera (Switzerland) Creative Camera (U.K) Collectors photography, Popular photography (U.S.) FOTO, Fototribune. ( Holland) and OVO (Quebec).
       
Galerie Caïus, 1968 Expo Amsterdam Poster expo Belgium 1988
 

Since La femme Image, the first independent film shot in Quebec, in 1959, and his first one-man photography exhibition in 1956, he has taken part in more than 72 film productions, and 33 one-man photography exhibitions, including Voyou, voyant, voyeur (1972), Attentat instantané (1980) and, more recently, Connues, inconnus, malconnues, trop connus, at the Cinémathèque québécoise (1985). wich was going to tour Europe through cities like Paris, Amsterdam, Rome, Liège and Charleroi.

Posters 1, 2 and 3 by Vittorio